Other World Music Vol.I has been nominated for the EVM Award for Electroacoustic/sound art work as part of the Scottish Awards For New Music.

Awards are always a strange proposition as they suggest competition, which is a mindset far removed from the thinking that went into the work. But recognition of one’s music is always welcome, especially if the work is of a personal nature, and it helps draw attention to many artists who otherwise might remain unknown to the larger public.

In this instance my category also features Louise Harris and Pippa Murphy.

Niteworks, whose album I helped produce, are also up for an award in The Good Spirits Co award for innovation in New Traditional Music.

It’s been a quiet start to the year as far as observable activity is concerned, but behind the scenes it has been full on.

The first work to break ground will be ‘So Below’, a one-off performance with my sometime collaborator Maarten Vos at the Glasgow University Memorial Chapel, supported by the PRS Foundation and Cryptic.

I don’t want to go into too much detail on what to expect but it will be immersive, will incorporate cello, electronics and multi-channel surround, and will take place at night.

Hopefully some of you can make it.

Wed 3rd April, 8pm. Tickets are £10/£7 and available here.

You may have seen this on my Twitter or Facebook but it also belongs here, being as it is a further step towards making music for contexts outside of the norm.

Cryptic are an arts organisation who specialise in audio-visual installation and performance, and they’ve taken me on as one of their associate artists, which means they’ll be supporting me in my artistic endeavours and helping me with one-off performances and touring installations.

We have worked together before, on 2015’s ‘Etanan‘ with Florence To , and last year’s ‘Portal‘ with Robbie Thomson. There are now further projects in the pipeline, the first of which will be announced very shortly.

The first official result of my last year’s music fellowship with the NHS, exploring the links between health and sound.

Of the many fascinating avenues that I explored, this album encapsulates ideas from just a few of them, and is particularly focussed on the use of music as a way of reducing stress.

I will be writing up a more complete overview of my year’s research at some point, and there will be a further album later in the year exploring other ideas from it.

The second volume of my Other World Music series, under my own name, has been released.

Again, it draws its influences from various musical traditions and forms and incorporates some of the research of my NHS music fellowship this year.

 

I am just pressing up tapes and releasing them myself although they will also be in shops such as Boomkat sometime around the middle of December.

It is limited to a run of 111.

You can buy it from my website here:

https://www.alexmenzies.net/product/other-world-music-vol-ii-cassette

For the last few years I have been working increasingly away from the dancefloor under my own name, and soaking up more varied influences. Other World Music will be a series of albums reflecting my explorations in these new fields, part electronic, part acoustic, and exploring facets of sound and music such as psycho-acoustics, modal forms and various other approaches to modern composition.

Other World Music Vol.1 is the first release on my new label of the same name, and represents a bit of a crossing point in some ways, as is nearly always the way when setting a new course.

The release is digital and cassette, and can be bought from my Bandcamp, although the digital release on its own can be bought from all the usual places. The cassette comes with a free download version and is housed in a nice handmade lino-print sleeve with a tracklist card. If you would like it signed, just ask at checkout on Bandcamp. It is limited at 100 copies.