I am lucky enough to be performing two different shows in Mexico over the next fortnight, as part of the 15th Visiones Sonoras Festival in Morelia, and by extension in Mexico City.

The first show will be a live version of music released as part of my Other World Music (OWM) series, and be part of the festival’s inaugural concert in Morelia.

The second show will be a version of ‘So Below’, performed in Mexico City’s beautiful Ex Teresa chapel, now an arts venue. It will be performed alongside some of Scottish Composer Matthew Grouse’s latest work.

Other World Music Vol.I has been nominated for the EVM Award for Electroacoustic/sound art work as part of the Scottish Awards For New Music.

Awards are always a strange proposition as they suggest competition, which is a mindset far removed from the thinking that went into the work. But recognition of one’s music is always welcome, especially if the work is of a personal nature, and it helps draw attention to many artists who otherwise might remain unknown to the larger public.

In this instance my category also features Louise Harris and Pippa Murphy.

Niteworks, whose album I helped produce, are also up for an award in The Good Spirits Co award for innovation in New Traditional Music.

You may have seen this on my Twitter or Facebook but it also belongs here, being as it is a further step towards making music for contexts outside of the norm.

Cryptic are an arts organisation who specialise in audio-visual installation and performance, and they’ve taken me on as one of their associate artists, which means they’ll be supporting me in my artistic endeavours and helping me with one-off performances and touring installations.

We have worked together before, on 2015’s ‘Etanan‘ with Florence To , and last year’s ‘Portal‘ with Robbie Thomson. There are now further projects in the pipeline, the first of which will be announced very shortly.

The first official result of my last year’s music fellowship with the NHS, exploring the links between health and sound.

Of the many fascinating avenues that I explored, this album encapsulates ideas from just a few of them, and is particularly focussed on the use of music as a way of reducing stress.

I will be writing up a more complete overview of my year’s research at some point, and there will be a further album later in the year exploring other ideas from it.

The second volume of my Other World Music series, under my own name, has been released.

Again, it draws its influences from various musical traditions and forms and incorporates some of the research of my NHS music fellowship this year.

 

I am just pressing up tapes and releasing them myself although they will also be in shops such as Boomkat sometime around the middle of December.

It is limited to a run of 111.

You can buy it from my website here:

https://www.alexmenzies.net/product/other-world-music-vol-ii-cassette

For the last few years I have been working increasingly away from the dancefloor under my own name, and soaking up more varied influences. Other World Music will be a series of albums reflecting my explorations in these new fields, part electronic, part acoustic, and exploring facets of sound and music such as psycho-acoustics, modal forms and various other approaches to modern composition.

Other World Music Vol.1 is the first release on my new label of the same name, and represents a bit of a crossing point in some ways, as is nearly always the way when setting a new course.

The release is digital and cassette, and can be bought from my Bandcamp, although the digital release on its own can be bought from all the usual places. The cassette comes with a free download version and is housed in a nice handmade lino-print sleeve with a tracklist card. If you would like it signed, just ask at checkout on Bandcamp. It is limited at 100 copies.